![]() ![]() ![]() This level of coordination between you, camera and audio people, lighting and the rest of the crew will multiply your productivity and benefit your communication objective. A good camera crew will carry out instructions accurately and with precision. Producing professional video is an orchestrated event that requires all parties to work together. Having the ability to look through the lens and picture how all of the elements come together – visual composition, perspective, lighting and movement – is crucial so that the images captured will reinforce your message and tell your story in the way you want it to and one that is consistent with your brand image. A good camera operator will be able to spot a good opportunity and have an artistic eye for framing shots. 4) Creativity: they have a “good eye”Ĭreativity is something that cannot be taught. Shooting, although lots of fun, can also be very demanding – with long hours, challenging conditions, and the need to be on your feet all day. While keeping abreast of the latest news through industry associations, forums and journals is important for honing technical skills, the camera operator must also possess physical stamina, strength and manual dexterity. Camera operators also need to stay up-to-date on shooting techniques, lighting, new equipment, and a plethora of formats, frame rates and resolutions. Still others specialize in multi-cam for meetings and the like, and then some can do it all. Others may be good at sports production and following the ball, or an expert in EFP (Electronic Field Production) which requires precise lighting and composition. ![]() For instance, to be good at news requires a cameraman who is quick thinking and fast on their feet. Learning, understanding and honing the technical skills required to become an operator takes many years – and then several more to hone a specialty. Operating a camera, maintaining composition and adjusting camera angles is no easy feat. You may be able to step in and do an “okay job” at other tasks, but shooting with a $50,000 camera and lens takes technical skills learned through school and years of practice. You want someone who can: put those being filmed at ease be patient when working on set during unavoidable delays and be understanding about reshooting if you’re not getting what you had envisioned. THE TOP FIVE QUALITIES TO LOOK FOR WHEN HIRING A CAMERAMAN OR CREW ARE: 1) Easy to work with/Flexibleįinding someone who is flexible and easy to work with is always nice to have, but it is especially true when selecting a camera operator. Bring the DP or cameraman in early on in the development process, so they know what you want and can discuss the available techniques. Once you know why you are producing a video – what your objective is – you can put together a script and storyboard with a director/producer to help you determine the best way to communicate your message. But the reality is: finding a good cameraman, one who understands how to communicate your message to your audience, is not easy. The ease of which we can make a video with a mobile phone has made every one think they’re Steven Spielberg. piece of equipment on their shoulder, while walking along a bumpy road with their vision tunneled into a small 1 inch rectangle, trying to get “the shot”….the cameraman. Then I go through all the images, and I find the ones that I like, and that one happened to be the perfect face.”Īccording to Evans, some of the waves that clashed against each other last Saturday were more than six metres.Great attention is given to actors, directors and producers, but what about the guy (or gal) you never see – the one on the other side of the lens? The one who holds a 25 lb. “So, you can get the whole sequence of what’s happening. “I watched the water, and when I see waves are gonna collide, I’ll just take a burst of photos,” Evans said, adding his Nikon Z 9 camera can take 20 photos per second. “When it’s snowing, it's difficult because your focus will bounce off what you’re trying to focus on,” Evans said.īut then, he says there was a 15-minute window where the sun poked through the clouds. – whenever he sees there will be high winds, which is what the forecast was calling for last Saturday.Įvans set up to shoot for a couple of hours that day – “It was pretty cold…I think it was -11 C or something” – and he couldn’t take photographs immediately due to the snow. He said he often heads down to Lake Erie – in Port Stanley just south of London, Ont. Of the roughly 10,000 photographs Ingersoll, Ont., resident Cody Evans took of Lake Erie last Saturday during the lake-effect storm, one looked like something conjured up by Poseidon.Įvans told CTV News Toronto on Wednesday he has been taking photographs, primarily of wildlife and nature, since January 2020. ![]()
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